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Find old World War 1 articles here. Find information on uniforms, women, gas warfare, prisoners of war and more.
Pictured in the attached PDF file is a seldom-seen black and white photograph depicting the deflated remains of an unidentified W.W. I German zeppelin as it rested on the tree tops of a French forest after having been forced from the skies.
An advertisement promoting the abilities of Dunhills, Ltd.. All officers were expected to wear tailor made uniforms.
The following book review is for all of you who toss and turn all night concerning the damaged reputation that was thrust upon the British Fifth Army General Hubert Gough (1870 – 1963) as a result of the German offensive that was launched during March of 1918.
Major General Leonard Wood (1860 – 1927) served as the U.S. Army Chief of Staff between the years 1910 through 1914 and was relieved of that office by President Wilson, who was unnerved by his wariness concerning America’s inability to wage a modern war. Having alienated the president and other prominent generals in Washington, he continued on this path by launching the Preparedness Movement a year later in which he established four volunteer army training camps across the country.
Wood’s admirer’s were legion, and this article opines that his finely tuned military mind was not being put to proper use:
General Wood has committed the sin of having been right from the very start. He has always been right. He has been right when Washington has been wrong. It is upon the heads of the entire pacifist crew who sold their shriveled souls and their country’s safety to the devil of German propaganda, that is falling the blame for the blood of those who are dying on the hills of Picardy and the plains of Flanders.
Nine years after he commanded the U.S. Fourth Corps during World War One, Major General Joseph T. Dickman (1857 – 1928) reconsidered the necessity of fighting for that ground in his memoir, The Great Crusade
Belleau Wood was a glorious, but an unnecessary sacrifice…It was magnificent fighting, but not modern war.
The battle was fought by the U.S. Marines attached to the Second Division, which was under the command of General Dickman. If you would like to read a small piece regarding the war record of the U.S. Fourth Corps in France, click here.
When the diplomatic leadership in Washington began to unravel the plot that was revealed behind the Zimmerman telegram, the Wilson administration wisely concluded that the governments of Japan and Mexico were not complicit in the scheme that had been cooked-up by the Germans.
An illustrated magazine advertisement from 1915 which displays the variety of private purchase footwear available to British and Commonwealth officers during World War I.
Written as a companion piece for The Spirit of the War at Eton, the article gives an moving account as to how the war affected life on campus while Britain was taking such tremendous losses.
This article written by Edwin A. Goewey and illustrated by C. Leroy Baldridge (1889 – 1977) reported on how America’s granite youth was chiseled into fighting trim at the Long Island training camps at Upton and Mineola. Reference is made to the contributions made by Father Francis Duffy and Major-General J. Franklin Bell.
Click here to read about the AEF officer training at Plattsburg, New York.
Click here to read some statistical data about the American Doughboys of the First World War.
Two articles from 1917 heaped praise upon the laureled cranium of the British war correspondent Philip Gibbs (1877 – 1962). Having written diligently for the readers of the DAILY MAIL and DAILY CHRONICLE, who were also anticipating his book THE BATTLE OF THE SOMME (1917), Gibbs was admitted to the VANITY FAIR Hall of Fame (for whatever that was worth at the time):
He has been able to bring the wide, modern, romantic outlook to bear in his survey and analysis of fighting and the conditions of fighting…He is a war-correspondent of a ‘new dispensation’, giving ‘not a realistic or a melodramatic vision of war, but a naturalistic vision’.
At the close of hostilities in 1918, Philip Gibbs was filled with disgust concerning his cooperation with the censors and would begin writing NOW IT CAN BE TOLD (1920), in which he angrily names the bunglers in command and admits that he wrote lies all through the war.
American poet Marguerite Wilkinson(1883 — 1928) was very impressed with the World War I poetry of Sigfried Sassoon, MC (1886 – 1967); in this three page review she lucidly explained why Sassoon’s voice was different from all the other wartime versifiers and illustrated her point by quoting liberally from his two earlier volumes, The Old Huntsman (1917) and Counter Attack (1918):
Such wisdom is the shining power of Sigfried Sassoon. To read it is to come face to face with indelible memories of unspeakable anguish. No palliatives are offered. The truth about warfare is told, as Mr. Sassoon understands it, with vigor and in sight…It is told by a man, a soldier, who will never forget this Calvary of the youth of our generation.
This 1917 article listed the known body count of dead poets who were rotting away in no-man’s land. A number of the scribes are unknown in our era; among the prominent names are Alan Seeger, Julian Grenfel and Rupert Brooke.
Printed in a popular U.S. magazine, it appeared on the newsstands the same week that Wilfred Owen, the most well known of World War I poets, was discharged from Craiglockhart Hospital, where he first resolved to write poetry about his experiences in the war.
Henri Gaudier-Brzeska (1891 – 1915) was an avant-garde sculptor of the Vorticist school. Prior to the war he resided in London and broke bread with the talented Bohemians of that burg, and this article is composed of snippets of text from a remembrance written by his close friend, Ezra Pound.
Joseph Cummings Chase (1878 – 1965) was an American painter who’s name is not likely to be associated with World War I artists but, like Sir William Orpen, he had a comfortable place within fashionable circles and he, too, was commissioned to paint portraits of the anointed within his nations military establishment. This article appeared in 1942 and primarily concerns the W.W. I portrait that Chase painted of Brigadier General Douglas MacArthur during the closing days of the war:
Joseph Cummings Chase is without doubt one of the world’s greatest portrait painters, and as luck would have it, he was in Paris when World War I began, at which time the Government commissioned him to paint the Distinguished Service Cross men, both enlisted men and officers, wherever he could catch up with them; some in dugouts, some in trenches, and some behind the lines.
Click here to see a few trench war images by German Expressionist Otto Dix.
Click here to read a 1942 article by Rockwell Kent on the proper roll of American artists during wartime.
Aside from scanning and posting vast numbers of historic magazine articles, the only other activity that has heightened our sense of inner tranquility has been our various walks through British and Commonwealth World War I graveyards. They are truly unique and beautiful gardens that can be appreciated on a number of different levels and it was not surprising to learn that many of the finest aesthetic minds in Britain had a hand in their creation.
This article, printed six months after the last shot was fired, is about the Imperial War Graves Commission (now called The Commonwealth War Graves Commission) and their plans as to how the dead of the British Empire were to be interred.
Click here to read about a 1920 visit the grave of poet Rupert Brooke.
France has given three fields of honor at Romagne, Thiacort and at Beaumont.
This short notice from an American military newspaper reported that four percent of the American dead were considered unidentifiable.
This is a World War I article listing many of the patriotic commitments that the African-American community devoted to the 1917 – 1918 war efforts:
The war has transformed the American Negro into the Negro American. Because he has been doing big things for his country his sense of national unity grown; his citizenship became a living reality.
They have contributed 300,000 of their young men to the American Army. Of these 1,000 are commissioned officers of the line…One entire regiment was decorated for bravery and several individual soldiers have been cited for deeds of great valor.
