Twentieth Century Writers

Joseph Conrad as Interviewed by Hugh Walpole
(Vanity Fair, 1919)

Hugh Walpole (1884-1941) interviewed his much admired friend, Joseph Conrad (1884-1941) for the pages of a fashionable American magazine and came away this very intimate and warm column:

There is a mystery first of the man himself– the mystery that the son of a Polish nobleman should run away to sea, learn English from old files of the ‘Standard’ newspapers when he was thirty, toss about the world as an English seaman, finally share with Thomas Hardy the title of the greatest living English novelist— what kind of man can this be?

George Bernard Shaw and Literary Recycling
(Vanity Fair, 1921)

Irish author, critic and dramatist, St. John Greer Ervine (1883 – 1971), believed that some of the dramatic characters populating the plays of George Bernard Shaw (1856 – 1950) were reoccurring characters who could be counted upon to appear again and again. He had a fine time illustrating this point and thinks nothing of stooping to compare Shaw with Shakespeare:

Shakespeare primarily was interested in people. Mr. Shaw primarily is interested in doctrine…

Thirty-five years later St. John Ervine would be awarded the James Tait Black Memorial Prize for his biography of George Bernard Shaw.

Click here to read various witty remarks by George Bernard Shaw.

W.B. Yeats and Those He Has Influenced
(Vanity Fair,1915)

With the publishing of the first part of his autobiography, Reveries Over Childhood and Youth, W.B. Yeats (1865 – 1939) got some attention in the American press. Here is a small notice from an American society magazine which praises his ability as an artist to influence other writers, such as George Bernard Shaw, John M. Synge, George Moore and Dr. Douglas Hyde.

W.B. Yeats Gripes About the Theater-Going Bourgeoisie
(Theatre Arts, 1919)

Poet and playwright W.B. Yeats (1865 – 1939) had his say on the matter of theater-subscriber-book-of-the-month-club types who are more likely to attend performances because they feel they should, rather than attending for their own reasons of personal enjoyment:

And the worst of it is that I could not pay my players, or the seamstresses, or the owner of the building, unless I could draw to my plays those who prefer light amusement, or who have no ear for verse and literature, and fortunately they are all very polite.

Three Brilliant Young Writers
(Vanity Fair, 1921)

The VANITY FAIR reviews of Stephen Vincent Benet’s (1898 – 1943) book The Beginning of Wisdom, F. Scott Fitzgerald’s (1896 – 1940) The Beautiful and Damned
and John Dos Passos’ (1896 – 1970) Three Soldiers:

The years following the war in America have been remarkable for the rise in popular and critical estimation of a small group of novelists who represent a revolt against the stillness and complacency of commercialized literature.

Jerome K. Jerome on Books
(Literary Digest, 1906)

Jerome K. Jerome (1859 – 1927) was a British author and playwright from one of the sillier tribes who is best remembered for his humorous travelogue Three Men in a Boat (1889). In the attached interview, the humorist laments that the novels in his day (as opposed to our own) so seldom inspire any real use of the mind:

Books have become the modern narcotic. China has adopted the opium habit for want of fiction. When China obtains each week her ‘Greatest Novel Of The Century’, her ‘Most Thrilling Story Of The Year’, her ‘Best Selling Book Of The Season’ the opium den will be no more needed.

From Amazon: Three Men in a Boat

Joseph Conrad as Interviewed by Hugh Walpole(Vanity Fair, 1919)

George Bernard Shaw and Literary Recycling(Vanity Fair, 1921)

W.B. Yeats and Those He Has Influenced(Vanity Fair,1915)

W.B. Yeats Gripes About the Theater-Going Bourgeoisie(Theatre Arts, 1919)

Three Brilliant Young Writers(Vanity Fair, 1921)

Jerome K. Jerome on Books(Literary Digest, 1906)