|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The attached six page article about Cab Calloway (1907 – 1994) makes no mention whatever of the three movies he had appeared in prior to 1941, but it answers many other questions you might have had about the musician’s first thirty-one years.
The attached article is yet another among the several tongue and cheek essays that the French composer Eric Satie (Alfred Éric Leslie Satie 1866 – 1925) contributed for the amusement of the fun-loving readers of VANITY FAIR MAGAZINE. Published just three years prior to his death, it is beautifully illustrated, and stands as one solid page of pure silliness in which Satie considered the place of art in the animal kingdom, and concludes that of all the arts, architecture and music are the only two creative endeavors that the creatures of the field ever seem able to embrace:
I know of no literary work written by an animal – and that is very sad.
Musical historian W.S.B. Mathews considers the three musical styles of Ludwig van Beethoven (1770 – 1827) and entirely dismisses the possibility that his deafness in later years effected his compositions not one jot.
Sir Edward Elgar (1857 – 1934), the noted composer, recently presided at the opening of the new headquarters of a gramophone company in London. Elgar is a great believer in the mechanical reproduction of music, and always conducts for records of his own works.
What musicians want, he said, is more listeners.
…But Satie’s music is not difficult to play. Almost all the notes in many of his compositions are all the same or a related value. Appogiatura, syncopation, bravura, he is not friendly with. The pieces are written in facile keys for pianists…
Arturo Toscanini
(1867 – 1957) is believed to have been the greatest conductor of the Twentieth Century. He was bestowed with a ‘Palm Award’ by the well-meaning swells at the now defunct Stage Magazine during the summer of 1938. This article appeared during a time when a Palm Award, granted by such a crew was a reliable form of social currency and would actually serve the highly favored recipients in such a grand manner as to allow them brief respites at dining tables found at such watering holes as New York’s Stork Club. Nowadays, one Palm Award and one dollar and fifty cents will afford you a ride on the Los Angeles City subway system (one way).
The attached article explains why Maestro Toscanini had met all requirements for this award.
