Music History

Remembering Alma Gluck
(Stage Magazine, 1938)

Marking the occasion of the untimely death of American soprano Alma Gluck (born Reba Feinsohn; 1884 – 1938), music critic Samuel Chotzinoff wrote this essay in which he recalled witnessing the first meeting between Gluck and her (second) husband Efrem Zimbalist, Sr. (1890 – 1985) at the absolute height of her fame in 1911. The remembrance continues as Chotzinoff labels that era as being the ‘golden age of vocalists’ and recalls many of the finest qualities of her talent.

Otto Klemperer Conducts Stravinsky
(Rob Wagner’s Script, 1947)

A printable music review by Lawrence Morton (1904 – 1987), long time advocate of modern music and habitual contributor to MUSICAL QUARTERLY and MODERN MUSIC. One of Morton’s greatest interests was the music of Stravinsky, and it is Stravinsky’s Symphony in Three Movements that was discussed in this 1947 review:

The symphony opens in full orchestra with a mighty affirmation of confidence and resolution. Then the horns state the main problem with which the composer would confront us: other instruments reiterate it, as if to show it to us from new angles and with new perspectives…

This particular performance was conducted in Los Angeles by Otto Klemperer (1885 – 1973), who was singled out for high praise in this article.

‘Lady Macbeth of Mzensk” by Dmitri Shostakovich
(Literary Digest, 1935)

The Cleveland Orchestra, on February 5 [1935], with Arthur Rodzinski conducting, will introduce to New York ‘Lady Macbeth of Mzensk’, an opera by twenty-eight year-old Soviet composer, Dmitri Shostakovich.

Shostakovich completed the work in December, 1932. It is the first of a projected cycle of four operas in which the composer plans to trace the condition of women in Russia…

Maestro Toscanini on the Home Front
(Pathfinder and Coronet, 1943)

Unlike most other musicians in Italy, Arturo Toscanini (1867 – 1957) refused to scramble onto the Fascist bandwagon. He refused to preface his concerts with the Fascist anthem and eventually was made a virtual prisoner at his home. When he was permitted to leave his country, he vowed never to revisit it so long as Fascism held it in bondage.

Nowhere has the magic baton of Toscanini been more acclaimed than in the United States. Under its spell, the Metropolitan Opera made its highest artistic mark, and the New York Philharmonic became the world’s greatest symphonic ensemble.

Phonograph Advocate: Sir Edward Elgar
(Current Opinion, 1921)

Sir Edward Elgar (1857 – 1934), the noted composer, recently presided at the opening of the new headquarters of a gramophone company in London. Elgar is a great believer in the mechanical reproduction of music, and always conducts for records of his own works.

What musicians want, he said, is more listeners.

Beethoven and his Deafness
(The Literary Digest, 1894)

Musical historian W.S.B. Mathews considers the three musical styles of Ludwig van Beethoven (1770 – 1827) and entirely dismisses the possibility that his deafness in later years effected his compositions not one jot.

Sweet Words for Maestro Toscanini
(Stage Magazine, 1938)

Arturo Toscanini
(1867 – 1957) is believed to have been the greatest conductor of the Twentieth Century. He was bestowed with a ‘Palm Award’ by the well-meaning swells at the now defunct Stage Magazine during the summer of 1938. This article appeared during a time when a Palm Award, granted by such a crew was a reliable form of social currency and would actually serve the highly favored recipients in such a grand manner as to allow them brief respites at dining tables found at such watering holes as New York’s Stork Club. Nowadays, one Palm Award and one dollar and fifty cents will afford you a ride on the Los Angeles City subway system (one way).
The attached article explains why Maestro Toscanini had met all requirements for this award.

Remembering Alma Gluck(Stage Magazine, 1938)

Otto Klemperer Conducts Stravinsky (Rob Wagner’s Script, 1947)

‘Lady Macbeth of Mzensk” by Dmitri Shostakovich(Literary Digest, 1935)

Maestro Toscanini on the Home Front(Pathfinder and Coronet, 1943)

Phonograph Advocate: Sir Edward Elgar(Current Opinion, 1921)

Beethoven and his Deafness(The Literary Digest, 1894)

Sweet Words for Maestro Toscanini(Stage Magazine, 1938)