Here is a magazine article from 1941 by the screenwriting, piano playing novelist Eliot Paul (1891 – 1958) who put-forth a sincere effort to define that popular 1940s music known as “Boogie-Woogie”. Paul went to great lengths explaining the roots of Boogie-Woogie, the origin of the term and the finest performers and composers of the music:

“First, one can say that Boogie-Woogie is an authentic, soul-satisfying genre of piano music, native to America and for which America is indebted to the Negro people…If you ask Al Ammons (1907 — 1949), one of the foremost exponents of boogie-woogie, what boogie-woogie is, he would smile, his eyes would light up, and probably he would say:

‘Man! It scares you’

-and it does. There are deep reasons why it tugs at our memories and slumbering instincts.”


•Click here to read more articles about Big Band music•


KEY WORDS: boogie-woogie definition,musician Al Ammons foremost exponent of boogie-woogie music,Boogie-Woogie article 1941,defining boogie-woogie,origins of Boogie-Woogie music 1941,musician Al Ammons foremost exponent of boogie-woogie music,origins of Boogie-Woogie music 1941,Boogie-Woogie music during 1940s,popularity of Boogie-Woogie music 1941,Boogie-Woogie magazine article 1941,Boogie-Woogie music in magazine articles 1941

Read What is Boogie-Woogie?<br>(The Clipper, 1941) for Free

Scroll to Top