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World War Two Articles - Hollywood

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The Dictator

Hollywood Under the Gun (Photoplay Magazine, 1948)

The attached article is but a small segment addressing the history of Hollywood during the war years, clipped from a longer PHOTOPLAY MAGAZINE piece that recounted the illustrious past of Hollywood some thirty-five years earlier.

"After Pearl Harbor, the men really began leaving town. David Niven was gone now. So too, was Flight Officer Laurence Olivier. And more and more from the Hollywood ranks kept leaving. Gable, Fonda, Reagan, the well-knowns and the lesser-knowns. Power, Taylor, Payne, Skelton and many others...More Hollywood regulars went away, so other, newer newcomers had to be found to replace them because the box office was booming."
The new stars were Alan Ladd, Van Johnson, Frank Sinatra, Gene Kelly, Joseph Cotton and Betty Hutton.

Hollywood Fights Its Slowdown (Click Magazine, 1943)

"Hollywood's manpower problems have multiplied, as in any large industry, since the U.S. entered the war. The draft, war plants, and the Government need for technicians depleted studio staffs all along the line, from producers to prop boys. The majority of Hollywood stars have devoted an untold number of hours to Army camp tours, war work, canteens; they have raised funds for war relief and war bonds. Robert Montgomery (pictured in uniform) is only one of many stars who have entered the armed services. Now he's a lieutenant in the Navy in charge of a torpedo boat squadron....With the reduction in Hollywood's talent ranks and the new ruling for a $25,000-net-income ceiling, movie companies face a crises in production."


Hollywood During the Second World War (Yank, 1945)

This is a swell article that truly catches the spirit of the time. You will read about the war-torn Hollywood that existed between the years 1941-1945 and the movie shortage, the hair-pin rationing, the rise of the independent producers and the ascent of Van Johnson and Lauren Becall:

"Lauren, a Warner Brothers property, is a blonde-haired chick with a tall, hippy figure, a voice that sounds like a sexy foghorn and a pair of so-what-are-you-going-to-do-about-it eyes"

Mention is also made of the hiring of demobilized U.S. combat veterans to serve as technical assistants for war movies in such films as "Objective Burma".


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