Vanity Fair Magazine

Articles from Vanity Fair Magazine

‘The Lady and the Plane”
(Vanity Fair, 1919)

In the June, 1920 issue of British Vogue, an anonymous correspondent tried her hand at prophecy:

As surely as the woman of yesterday was born to ride in a limousine, the woman of today was born to fly an aeroplane.

-that said, we have higher hopes for the women of the 21st Century – however, a year earlier, the Vanity Fair writer charged with covering all aspects of motoring, both horizontal and vertical, penned this enthusiastic article and filled it with the names of many of the women aviators who were at that time, striving to make new records in aviation history; it must have been a very exciting time in history to experience (except for the dental care).

Good and Bad Writing About World War I
(Vanity Fair, 1915)

A small column from a 1915 issue of Vanity Fair in which the correspondent praised the virtues of Howard Copeland (an American psychologist and ambulance volunteer working in Frabce), Gertrude Aldrich (author of an Atlantic Magazine essay titled, Little House on the Marne), Cardinal Mercier (author of the Great Belgian Pastoral) and W.F. Bailey (authored a paper concerning the war in Northeastern Europe). These writers are preferred to the usually celebrated ink-slingers like Hellaire Belloc, Rudyard Kipling, Anatole France, and Arnold Bennett who are all compared to amateur recruiting sergeants in support of the War.


This image file is poorly scanned: we recommend that you print it for greater legibility.

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Jack Dempsey In Silent Movies
(Motion Picture News & Vanity Fair, 1919)

Two articles from two different magazines reported the news that the World Champion Boxer of 1919, Jack Dempseystyle=border:none (1895 – 1983), would soon try his hand at movie acting. The Vanity Fair item is actually a cartoon by that old sentimentalist, John Held, Jrstyle=border:none.(1889-1958).


In the future, other athletes would follow in his steps to Hollywood; his fellow boxer Gene Tunney would follow him out there eight years later (The Fighting Marines). Swimmers Buster Crabbe (Buck Rogers) and Johnny Weissmuller (Tarzan) got the fever and came out during the early days of sound movies.

Willa Cather Gets a Bad Review
(Vanity Fair, 1913)

Writing his review of O Pioneers, DRESS and VANITY FAIR book critic Henry Brinsley wrote:

Miss Willa Cather in O Pioneers! (O title!!) is neither a skilled storyteller nor the least bit of an artist. And yet by the end of the book, something has happened in the readers mind that leaves him grateful…There isn’t a vestige of ‘style’ as such: for page after page one is dazed at the ineptness of the medium and the triviality of the incidents…And the secret of this is the persistence throughout of a single fine quality of the author – her extraordinary sincerity.

Rea Irvin and the New York Home Front
(Vanity Fair Magazine, 1915)

This cartoon pokes fun at the high cost of being charitable. Throughout much of World War One there was always the problem of what to do with the growing number of refugees and orphans -and the answer was never cheap. This drawing reveals a different Rea Irvin, but the drawing style for which he would be remembered is clearly emerging.

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The German Occupation of Manhattan
(Vanity Fair Magazine, 1916)

The famed Conde Nast illustrator from days of old, Ann Fish, assumed the nom de guerre, Hello in order to impart to her well-fed audience the terror of German Prussianism. In this cartoon, she illustrated what a German invasion of Manhattan would look like.

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Comprehending the Flapper Revolt
(Vanity Fair, 1921)

In the early Twenties there were a good many social changes which men had to struggle to understand; among them was the Modern Woman. The Italian novelist and lexicographer Alfredo Panzini (1863 – 1939) attempted to do just that for the editors of Vanity Fair.

‘Don’t expect us’, she says to you, disconsolate male, ‘don’t expect us to be like the old-fashioned girls who went to church, and did the laundry, and looked up to their husbands as to their God.’

‘Canonizing the Flapper”
(Vanity Fair, 1921)

The following is an excerpt from the review of the New York production of the 1921 play, A Bill of Divorcement by Clemence Dane (born Winifred Ashton 1888 – 1965). With much enthusiasm, the reviewer wrote:


We know of no better expression of the creed of the new generation than that which Clemence Dane has drawn up….


What followed was a very short soliloquy which beautifully summed up not only the philosophy of the modern woman, but the philosophy of much the Twentieth Century.

Farewell Woodrow Wilson
(Vanity Fair Magazine, 1921)

Celebrated columnist Walter Lippmann (1889 – 1974) wrote this piece to mark the end of the Wilson administration (1912 – 1920) and usher-in that of Warren G. Harding (1865 – 1923).

Unlike the ink-slingers in ages to come, Lippmann had pleasant remarks to make regarding his presidency:

And I firmly believe that the historian who examines the state papers of Wilson up to November, 1918, will say, not only that they are in an unbroken line from Washington’s Farewell Address, but that it required something very like genius under the pressure and in the fog of a world war, to keep that line intact.


Click here to read about a dream that President Lincoln had, a dream that anticipated his violent death.


Read a 1951 profile of a future First Lady: the young Nancy Reagan.

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‘W. B. Yeats and Those He Has Influenced”
(Vanity Fair,1915)

With the publishing of the first part of his autobiography, Reveries Over Childhood and Youth, W.B. Yeats (1865 – 1939) got some attention in the American press. This small column first appeared in VANITY FAIR magazine praising his ability as a genuine artist.

Who Was Wilde’s Dorian Gray?
(Vanity Fair Magazine, 1919)

One writer’s reminiscence of attending a London party and being introduced to Oscar Wilde (1854 – 1900) and the object of his affection, John Gray. The author insists, as has been documented in other places, that Gray was the model for Wilde’s character Dorian Gray:

Once at a Private View in the New Gallery, as I came downstairs, I came on Wilde, in the midst of his admirers, showing more than ever his gift of versatility. Seeing me he made a gesture, and as I went up he introduced me to John Gray, then in what is called ‘the zenith’ of his youth. The adventure was certainly amusing…


An additional article about Wilde can be seen here.


Click here to read a 1940s article about American sodomy legislation.

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