Vanity Fair Hall of Fame – Page 4 – Old Magazine Articles

A Letter from a Bombardier in the French Air Corps
(Vanity Fair, 1916)

In the attached letter from the artist Bernard Boutet de Monvel (1884 – 1949), the artist explains thoroughly his thoughts and adventures as an bombardier in a Vosin biplane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of lonliness that an aviator can experience at 2000 feet.

For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you. Click here

Excursions Into Hunland
(Vanity Fair, 1918)

An American fighter pilot of the R.F.C., Lieutenant E.M. Roberts, gave this account of the deadly game of Boche-hunting above the clouds:

I noticed he was going down a little, evidently for the purpose of shooting me from underneath. I was not quite sure as yet that such was really his intention; but the man was quick…he put five shots into my machine. But all of them missed me.

I maneuvered into an offensive position as Quickly as I could, and I had my machine gun pelting him…The Hun began to spin earthward.

The War and the Royal Families
(Vanity Fair, 1915)

A five paragraph account regarding the royal families of Europe; how close they were prior to the war and the important roll played by Queen Victoria in maintaining the strong bond between them. One particular line of note:

Queen Victoria was the only human being whom the Kaiser feared.

Click here to read another article about the war and the royal families.

New York City: 1917
(Vanity Fair, 1917)

A VANITY FAIR article covering the social and patriotic transformation of New York City just eight months after The U.S. entered the First World War:

Already the greatest manufacturing center in the world, our coming into the War made New York the money center, the distributing center, the very hub of the universe as far as resources were concerned. London and Paris sank to the level of mere distributing points….

An additional event took place in 1917: Congress granted full U.S. citizenship rights to the citizens of Puerto Rico – but they didn’t move to New York until the Fifties. Click here to read about their integration.

Greenwich Village Bohemians
(Vanity Fair, 1916)

Robert Benchley (1889 – 1945) drama critic, humorist and actor. Upon graduating from from college (1912) he began his career writing for a number of New York papers. At the time this witty anthropological study of Greenwich Village wildlife was printed, Benchley was serving as a contributing editor for Conde Nast’s ‘Vanity Fair’.

Click here if you would like to read a 1934 profile of Robert Benchley.

A New Colony Club
(Vanity Fair, 1913)

This is small notice celebrated the efforts of the New York architectural firm of Delano and Aldrich for their design of a Park Avenue building intended as the new address of the Colony Club.

Click here to read about the 1913 Armory Show.

Jascha Heifetz’ First New York Recital
(Vanity Fair, 1918)

Here is an enthusiastic review of Jascha Heifetz’ (1900 – 1987) first Carnegie Hall performance. The journalist relays how fully loaded the concert hall seemed to be with the finest violinists in the Western world all sitting in rapt attention; and how joyously they all applauded following his first number:

Here, mark you, were the masters of the guild giving an ovation to a slim, eighteen year-old boy and acknowledging him as one of the master violinists of the world.

Pianists and Piano Playing
(Vanity Fair, 1915)

William James Henderson (1855 – 1937) was believed by many to be the greatest music critic of his day, and in this VANITY FAIR article he turns his nib in the direction of the pianists Ignace Paderewski (1860 – 1941), Harold Bauer (1873 – 1951), Ferruccio Busoni (1866 – 1924) and Josef Hofmann (1876 – 1957).

A 1938 article about Paderewski can be read HERE…

Composer Leo Ornstein
(Vanity Fair, 1920)

A profile of Futurist composer Leo Ornstein (1893 – 2002). Ornstein appeared on the New York music scene at a very young age; hailed as a genius by many, he performed to packed houses. In 1917, music critic James Huneker(1860-1921) remarked:

I never thought I should live to hear Arnold Schoenberg sound tame, yet tame he sounds—almost timid and halting—after Ornstein who is, most emphatically, the only true-blue, genuine, Futurist composer alive.

Leo Ornstein left the public eye by 1925 and was soon forgotten until the 1970s. This Vanity Fair article was written by James L. Buchanan, who had written a number of pieces on Ornstein and his music throughout his career.

Kosaku Yamada: The First Japanese Composer of Operas
(Vanity Fair, 1919)

Attached, you will find a small profile of Kosaku Yamada (1886 – 1965) published shortly after his New York debut in 1919. Classicly trained in Europe, Yamada organized the first symphonic orchestra of native players to perform the music of Occidental composers under a Japanese conductor, which later became the Tokyo Philharmonic Orchestra. This article outlines some of his various accomplisments up to 1919, while deleting others. Prior to his two year sojurn in the United States, he had composed three Japanese operas: Reisho (1909), Ochitaru Tennyo (1913) and Shichinin No Oujo (1916).

Tamaki Miura
(Vanity Fair, 1915)

Tamaki Miura (1884 – 1946) was a Japanese opera singer most often remembered for having performed in over 2,000 stagings of Madame Butterfly. At the time this short notice appeared she was only one year into her opera career, yet the Vanity Fair music critic recognized talent when he saw it and nominated her for the Vanity Fair Hall of Fame. It was her inclusion in that august body that serves as the the subject for this short paragraph, which is accompanied by a photograph.

The Post-War Change in Women
(Vanity Fair, 1921)

There were many social changes following the First World War which men had to struggle to understand; among them was the Modern Woman. The Italian novelist and lexicographer Alfredo Panzini (1863-1939) attempted to do just that for the editors of Vanity Fair.

She will be a stenographer, a school teacher, a movie actress. But She will not cook for you. She will not do your washing. She will not knit her own stockings.

‘Dogs of Battle, Dogs of Mercy”
(Vanity Fair, 1916)

We are happy to say that in the course of performing our daily duties, the scanning and posting of historic magazine articles, no dogs were harmed in any way; but sadly no such boast can be made by any participant of the Great War. Published during the bloodiest year of that conflict, this VANITY FAIR MAGAZINE article lists a good many of the particular services dogs were trained to perform on behalf of their belligerent masters.

The French war dogs are divided into five classes, each of which performs a special type of work. There are sentinel dogs, patrol dogs, ambulance dogs, dispatch dogs and drought dogs. In all these departments of military activity they have proved their worth.

‘Dogs of Battle, Dogs of Mercy”
(Vanity Fair, 1916)

Farewell, Champagne!
(Vanity Fair, 1919)

A chic (if anonymous) poet printed in a fashionable society magazine sings farewellto champagne and pities the poor man-about-town who must now stroll the boulevards with only lemonade on his breath.

Jacob Epstein: Firebrand of Art
(Vanity Fair, 1915)

Jacob Epstein was brought up in the city of New York, being one of a group of young men from the other side of the Bowery, some of whom have since become well known in the arts.

Attached is a photograph of the American expatriot sculptor Jacob Epstein and three of his pieces. This is a short notice heralding the great splash that the artist was making in the London art world of 1915. Although his work can be found in many of the world’s finest museums, Epstein is best remembered today for his creation of the monumental sculpture that marks the grave of Oscar Wilde.

Armored Cars and Trucks
(Vanity Fair, 1916)

The American trucks and armored cars pictured here were not created specifically for the Great War, but no doubt they were sold to the French and British; a year later these trucks arrived with the A.E.F.. The bull dog that has for so long adorned the hood of the Mack truck dates to this conflict -the bull dog was the nick-name bestowed upon that vehicle by the Tommies.

Recognizing the importance of armored vehicles, a group of American Millionaires, among them Henry Clay Frick (1849 – 1919), pooled their money and donated a number of such items to the New York National Guard. Vanity Fair Magazine followed this story and produced this article as it developed with a thorough review of each of the donated military vehicles. Although the trucks are photographed, few are named.

‘The Attack of the Super Novelists”
(Vanity Fair, 1919)

In this article, P.G. Wodehouse (1904 – 1975) sounded-off on a new type of novelist that had surfaced in 1919 – and has yet to decamp. He breaks the novelizing classes into two groups:

…the ordinary novelist, the straightforward, horny-handed dealer in narrative, who is perfectly contented to turn out two books a year, on the understanding – a gentleman’s agreement between himself and his public – that he reserves movie rights and is allowed an occasional photograph in the papers..