Vanity Fair Hall of Fame – Page 5 – Old Magazine Articles

Reminiscences of August Rodin
(Vanity Fair, 1918)

Not long after the death of Auguste Rodin (1840 – 1917) Paris-based artist Stephen Haweis (1878 – 1969) remembered his friendship with the French sculptor:

He loved flattery, as all human beings do, and would listen attentively to rhapsodies from almost anybody, though they do say that a pretty lady got more attention from him than a half-starved journalist.

Rodin proclaimed himself the culminator of one era of sculpture, the inspirer, and nearly the author of another. He was the father of various schools which are lumped under the title of Modern Art.

Photographs of the Crowned Heads of Europe
(Vanity Fair, 1914)

Will Any of These Pictures be Turned to the Wall? asked the editors of VANITY FAIR shortly after the outbreak of the W.W. I. On the attached pages are photographic portraits of the potentates representing the assorted combatant nations; French President Raymond Poincare was the only elected official to be included among the royals. Pictured are Austria’s Emperor Franz Joseph, Britain’s King George V, Germany’s Willhem II, Victor Emmanuel II of Italy, Peter of Serbia and Albert, King of the Belgians.

Manhattan Servant Problems
(Vanity Fair, 1918)

The attached cartoon depicted one of the unintended consequences of German aggression during the First World War: the creation of what was known as the servant problem. It should be understood that the difficulty in question caused no particular hardship for those who were supposed to be the servants; they were simply delighted to vacate the collective domiciles of Mr. & Mrs. Got-Rocks in order to pull down a living wage in a nice, cozy smoke-spewing armament factory some place – leaving their former employers to fix their own meals and diaper junior.

Click here to read about the New York fashions of 1916.

Albert, King of the Belgians
(Vanity Fair, 1914)

A VANITY FAIR article by Ard Choille that recalls the low key visit that Belgium’s Albert I (1875 – 1934) made to the U.S. in 1898 while in the company of his young bride, Elizabeth (1876 – 1965), formerly the Duchess of Bavaria. Published at a time when the Great War was in it’s fourth month, the journalist was mindful of the valiant roll Albert was maintaining as the Commander-in-Chief of the struggling Belgian Army in the face of the German onslaught.

Click here to read about the W.W. I efforts of Prince Edward, the future Duke of Windsor.

The Well-Born Officer
(Vanity Fair, 1918)

For it’s October issue, the editors of VANITY FAIR magazine stepped up to the plate and did their bit with this splendid review of all the finest uniform apparel that New York City offered it’s silk stocking officers. The article is nicely illustrated with photographs of a double-breasted mackinaw coat, two officer blouses (one of a wool-silk blend), a classic silk knit service tie as well as a very fine trench boot.

New From Amazon: Doughboys on the Great War:
How American Soldiers Viewed Their Military Experience

The Florida Water Colors of John Singer Sargent
(Vanity Fair, 1917)

A few words on the water colors that John Singer Sargent (1856 – 1925) made in 1917 which pictured the Villa Viscaya in Miami, Florida. The paintings were later purchased by the Worcester Museum in Worcester, Massachusetts.

London Society, 1915
(Vanity Fair, 1915)

Five months into the general unpleasantness going on across the Channel had transformed London into a very different city, and sadly, it was the leisured classes that had to shoulder most of the burden:

London is well worth living in these troubled days if only for its contrasts…The gloom of the streets, the sinister play of the searchlights, the abnormal hour at which the theatres open and and the public houses close, the fact that half the male population is in khaki and the other half would like to be, that Society is wearing Noah’s Ark clothes and that to buy a new hat is a crime, that there are no dances, no dinners, no suppers, no premieres, no shooting, no no posing, no frivolity, nor idling, it’s rather quickening, you know. But the searchlights have absolutely killed all practical romance.

The Case for Leonard Wood
(Vanity Fair, 1918)

Major General Leonard Wood (1860 – 1927) served as the U.S. Army Chief of Staff between the years 1910 through 1914 and was relieved of that office by President Wilson, who was unnerved by his wariness concerning America’s inability to wage a modern war. Having alienated the president and other prominent generals in Washington, he continued on this path by launching the Preparedness Movement a year later in which he established four volunteer army training camps across the country.
Wood’s admirer’s were legion, and this article opines that his finely tuned military mind was not being put to proper use:

General Wood has committed the sin of having been right from the very start. He has always been right. He has been right when Washington has been wrong. It is upon the heads of the entire pacifist crew who sold their shriveled souls and their country’s safety to the devil of German propaganda, that is falling the blame for the blood of those who are dying on the hills of Picardy and the plains of Flanders.

Understanding Erik Satie
(Vanity Fair, 1918)

…But Satie’s music is not difficult to play. Almost all the notes in many of his compositions are all the same or a related value. Appogiatura, syncopation, bravura, he is not friendly with. The pieces are written in facile keys for pianists…

The Elsie Janis Cocktail
(Vanity Fair, 1917)

Anticipating the onslaught of prohibition, the actress Elsie Janis (1889 – 1956; also known as, The Sweetheart of the A.E.F) understood that, even with the absence of alcohol in the United States, boys and girls, men and women would continue their pursuit of love, marriage and divorce.

Paul Thevenaz: Rhythmatist Painter
(Vanity Fair, 1916)

A one page article regarding Swiss-born painter Paul Thevenaz (1891 – 1921) and his thoughts on the relationship between dance and modern painting. The article is accompanied by four of his portraits; the sitters were Jean Cocteau, Igor Stravinsky, the Comtesse E. De Beaumont and Comtesse Mathieu De Noailles.The profile was written by the novelist Marie Louise Van Saanen.

Read a 1937 article about another gay artist: Paul Cadmus.

Elihu Root Profiled
(Vanity Fair, 1915)

A photograph of Elihu Root (1845 – 1937) accompanies these two short paragraphs from the 1915 VANITY FAIR Hall of Fame, in which Root was praised as the ablest lawyer and diplomatic expert in the nation at that time. He is remembered today as the one U.S. Secretary of War (1899 to 1904) who was most instrumental in modernizing the American military in such ways that allowed it to meet the demands that would be meted out during the course of the bloody Twentieth Century.

This small notice is interesting primarily because it lets it be known that the United States was jockying for a spot in the European peace negotiations two years prior to even having troops in the field.Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine
Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine
Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine

A Covered Golf Caddy Bag
(Vanity Fair, 1915)

A few words, accompanied by a photograph, concerning the ‘traveler’s covered caddy bag‘ — another attempt at thwarting the efforts of ‘the golf thief’ as well as just plain lousy whether.

Art Sacandal: Aubrey Beardsley Forged
(Vanity Fair, 1919)

London’s post-World War I art world was rocked by a scandal involving a number forged drawings which were misleadingly signed with the name Aubrey Beardsley (1872 – 1898). This piece captures that moment.

Edgar Degas: R.I.P.
(Vanity Fair, 1918)

Some interesting postmortem thoughts and seldom heard facts concerning the life and times of Impressionist painter Edgar Degas (1834 – 1917); of particular interest was the enormous amount of money fetched at auction for the assorted content of his studio during a time of national crises in France.

Marcel Duchamp Returns to New York City
(Vanity Fair, 1915)

Exempted from serving with the French military in World War I, the artist Marcel Duchamp returned to New York City where he triumphed during the Armory Show of 1913 – together he and his two brothers, Raymond Duchamp-Villon and Jacques Villon, all showed their groundbreaking art. Marcel was the toast of New York and his modern painting, Nude Descending a Staircase was regarded as a masterwork.

In the attached VANITY FAIR article, Duchamp let’s it be known that he crossed the submarine-infested waters of the Atlantic to see American art.

New Portrait Busts by Jo Davidson
(Vanity Fair, 1916)

This single column reported on the 1916 busts that were created by the American sculptor Jo Davidson (1883 – 1952), during his tour of war-torn Europe.
By the end of the Twentieth Century, much of his work would be in the collections of many of the finest art museums, such as the National Gallery of Art, Washington, the Fine Arts Museum of San Francisco, the U.S. Senate Art Collection and the National Statuary Hall, both in Washington.

Four Photgraphs of the Extended Royal Family
(Vanity Fair, 1915)

Assorted photographs of the assembled German, Spanish, Belgian, Russian, Norwegian and British royal families, posed as they gathered to attend the the 1894 and 1896 Royal weddings at Coburg; also pictured is the group photo snapped at the 1898 shooting party at Sandingham. Queen Victoria appears in two of the pictures, while Kaiser Wilhelm II can be seen in all of them.