Vanity Fair Hall of Fame – Page 2 – Old Magazine Articles

George Jean Nathan
(Vanity Fair, 1917)

A witty if dry profile of George Jean Nathan (1882 – 1958), one of the more prolific essayists and reviewers of all things dramatic and literary during the Twenties. At the time of this printing he was serving as the co-editor (along with his friend H.L. Mencken) of the American magazine The Smart Set while contributing occasional drama reviews to Vanity Fair. You’ll read a very long list of Nathan’s likes and dislikes, which, in fact, comprise 99% of the profile.

Later in life, Nathan would wed Mary Pickford – read about her here…

Douglas Fairbanks on Hollywood
(Vanity Fair, 1918)

Attached is a very funny article written by the great matinee idol Douglas Fairbanks (1883 – 1939) concerning the predictability of silent films:

Whether eastern or western, the villain is never without a big black cigar. On the screen a big black cigar represents villainy; on the stage it represents General Grant.

Click here to read magazine articles about D.W. Griffith.

Douglas Fairbanks on the Writers of Silent Movies…
(Vanity Fair, 1918)

Yet another article from the dusty, moldy magazines of yore that illustrate how the silent film actor Douglas Fairbanks (1883 – 1939) would, time and again, bite that hand that fed him so generously: this is one more example in which Fairbanks points out the all-too predictable story lines of American silent movies.

The Rebellion of Theda Bara
(Vanity Fair, 1919)

Disgusted with being remembered for only playing the role of vampires, Theda Bara wrote this piece where she listed several sound reasons as to why she would never play such a roll again:

To me, there is nothing so quaintly naive as this inability of the moving picture public to disassociate the screen personality of a star from his or her own personality. I wonder what they think a Mack Sennett bathing girl must be like around the house.

D.W. Griffith in the ‘Vanity Fair Hall of Fame’
(Vanity Fair, 1918)

Sweet words of praise were heaped high for the silent film director D.W. Griffith when he was selected by VANITY FAIR magazine to be one of their anointed ones:

Because he was for many years an excellent actor and a leading man on Broadway; because he went into moving pictures as a an actor and emerged from them as a producer;because the greater the magnitude of the task ahead of him the more the prospect pleases him; because he invented the high-priced movies; because he has employed upwards of 5,000 people in a single scene; because he is an excellent musician and wrote the orchestral music for ‘Hearts of the World’, the most sensational moving picture of recent years.film production
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business ethics articles
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Giacomo Puccini
(Vanity Fair, 1915)

A two page profile of the fifty seven year-old opera composer, Giacomo Puccini (1858 – 1924). Published at a time when his most popular work was behind him, the article centers on the composer’s career; from Puccini’s first opera, La Ville (1884) to his most recent, The Little Wooden Shoes.

A Profile of Cartoonist Rube Goldberg, Cartoonist and Quack-Inventor
(Vanity Fair, 1914)

In the attached 1914 magazine profile, Joseph Edgar Chamberlin (1851 – 1935) asked, Who is Goldberg? and then jumped right in and proceeded to answer that question. However, the reader should understand that in 1914 it simply did not take very long to give the answer. With so much good work yet to come, this article outlined the cartoonist’s earliest employment record while making clear that he was already well known for his invention gags, which had already appeared in many papers across the United States.

If you would like to read a 1930 article written by Rube Goldberg click here.

Click here to see an anti-New Deal cartoon that Goldberg drew in 1939.

John Singer Sargent in 1914
(Vanity Fair, 1914)

The attached VANITY FAIR article announced that the numero uno society portrait painter of the Gilded Age, John Singer Sargent (1856 – 1925) was swearing-off portrait commissions in order to concentrate on water color. Little did he know that he would be back at it in a few years painting whole boat-loads of general officer portraits when he was named as one of the Official British War Artists.

Henri Matisse Viewing in New York
(Vanity Fair, 1915)

This article will give you a good look at how the seeds were sewn as early as 1915 to ensure the rise of New York City as one of the great art centers of the world. For the first time since the 1913 Armory Show, New York was again to host an important exhibition of the European modernists. Much of the article concerns Henri Matisse (1869 – 1954) and is illustrated with a portrait of the artist by the photographer Edward Steichen.

Things were changing – not long after New York was proclaimed as the commercial capital of the art world, America was recognized as the preeminent world power, click here to read about it…

U.S. Naval Officers Insignia
(Vanity Fair, 1918)

Yet another examination of U.S. Navy officer insignia with additional illustrations of American naval rating patches.

The Art of Thomas Hart Benton
(Vanity Fair, 1922)

When this profile of the thirty-tree year-old Thomas Hart Benton (1889 – 1975) was published, the painter was not as yet recognized as the eccentric that history remembers him to have been. The anonymous journalist took an enormous interest in understanding Benton’s education and the source of his inspiration.

Click hereto read a 1936 art review regarding the paintings of Grant Wood.

Paul Cezanne Gets His American Viewing
(Vanity Fair, 1915)

This is a VANITY FAIR art review that was reverently torn from the brittle, yellowing pages of a 1915 issue of VANITY FAIR covering the first Paul Cezanne (1839 – 1906) exhibit on American shores.

A Letter from a Bombardier in the French Air Corps
(Vanity Fair, 1916)

In the attached letter from the artist Bernard Boutet de Monvel (1884 – 1949), the artist explains thoroughly his thoughts and adventures as an bombardier in a Vosin biplane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of lonliness that an aviator can experience at 2000 feet.

For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you. Click here

Excursions Into Hunland
(Vanity Fair, 1918)

An American fighter pilot of the R.F.C., Lieutenant E.M. Roberts, gave this account of the deadly game of Boche-hunting above the clouds:

I noticed he was going down a little, evidently for the purpose of shooting me from underneath. I was not quite sure as yet that such was really his intention; but the man was quick…he put five shots into my machine. But all of them missed me.

I maneuvered into an offensive position as Quickly as I could, and I had my machine gun pelting him…The Hun began to spin earthward.

The War and the Royal Families
(Vanity Fair, 1915)

A five paragraph account regarding the royal families of Europe; how close they were prior to the war and the important roll played by Queen Victoria in maintaining the strong bond between them. One particular line of note:

Queen Victoria was the only human being whom the Kaiser feared.

Click here to read another article about the war and the royal families.

New York City: 1917
(Vanity Fair, 1917)

A VANITY FAIR article covering the social and patriotic transformation of New York City just eight months after The U.S. entered the First World War:

Already the greatest manufacturing center in the world, our coming into the War made New York the money center, the distributing center, the very hub of the universe as far as resources were concerned. London and Paris sank to the level of mere distributing points….

An additional event took place in 1917: Congress granted full U.S. citizenship rights to the citizens of Puerto Rico – but they didn’t move to New York until the Fifties. Click here to read about their integration.

Jascha Heifetz’ First New York Recital
(Vanity Fair, 1918)

Here is an enthusiastic review of Jascha Heifetz’ (1900 – 1987) first Carnegie Hall performance. The journalist relays how fully loaded the concert hall seemed to be with the finest violinists in the Western world all sitting in rapt attention; and how joyously they all applauded following his first number:

Here, mark you, were the masters of the guild giving an ovation to a slim, eighteen year-old boy and acknowledging him as one of the master violinists of the world.

Pianists and Piano Playing
(Vanity Fair, 1915)

William James Henderson (1855 – 1937) was believed by many to be the greatest music critic of his day, and in this VANITY FAIR article he turns his nib in the direction of the pianists Ignace Paderewski (1860 – 1941), Harold Bauer (1873 – 1951), Ferruccio Busoni (1866 – 1924) and Josef Hofmann (1876 – 1957).

A 1938 article about Paderewski can be read HERE…