Yardley, a cartoonist from KEN MAGAZINE, made this four panel yuk-yuk about Depression era screenwriters and the shoe being on the other foot. Truth be told, the story it tells is as fitting in our own time as it was in the Thirties. Nicely rendered, too.
Click here to read about feminine conversations overheard in the best New York ladies rooms of 1937.
The attached is one from a series of articles that appeared in MOTION PICTURE MAGAZINE penned by a Hollywood insider during the high-fashion days of silent film. The reader will be alarmed to read that even as early as 1916, plot-stealing and other forms of Hollywood plagiarism were in full swing.
A few weeks earlier, a California Representative had introduced an anti-plagiarism bill to Congress.
Click here to read about the Hollywood plagiarism game of 1935.
Here is a segment from a longer article found on this site that recalled the history of boys who had enlisted in the Confederate cause – this short paragraph tells the story of a Rebel colonel, W.H. Martin of the 1st Arkansas Regiment, who called out to his opposite number in the Federal ranks during a lull in the fighting for Kenesaw Mountain and allowed for a truce so that the immobilized wounded of the Northern infantry would be rescued from a fire that was spreading in no-mans-land.
No doubt, this is one of the funniest pieces you are likely to find on the topic of acting and costuming in silent movies. It was written by Frederick Lewis Allen (1890 – 1954) and Frank Tuttle (1892-1963); both men approached the movies with the low expectations that were probably all too typical of theater lovers at that time. Frederick Lewis Allen is best remembered today as one of the better chroniclers of the Twenties and author of Only Yesterday (1931) while Frank Tuttle would find himself, in a few short years, directing movies in Hollywood. Tuttle was one of the few Directors who successfully made the jump from silent films to sound and continued working; at this writing, he was an Assistant Editor at Vanity Fair.
Six fashion illustrations concerning the autumn hats of 1918:
Paris is exceedingly critical in regard to hats even in wartime, and the new ones are most interesting. Black velvet of course is rampant, and Marie Louise especially is using much much black panne velvet…
Attached you will find some kind words promoting brown linen as the preferred fabric for summer golf, yet what is most striking is the accompanying photo of a young rake in his period golf apparel sporting a pair of putees for his time upon the links. It is rare that one finds a photograph of a golfer in putees and one might get the sense that the look never really caught on.
Those young bucks who golfed and participated in other field and blood-sports during the early Twentieth Century were the lads who benefited most from the tailor’s craft. Pictured here are details of the pivot-sleeve (later to be called the ‘action-back’): a four button, deep-vented, self-belted, pleated golf jacket with matching knickers.
Also featured is a terribly natty English cheviot golf hat.
Stephen Douglas (1813 – 1861), Lincoln’s Democratic rival in the contest for the U.S. Senate seat from Illinois, was a popular figure with a great deal of political capitol who enjoyed wide spread fame throughout much of the fruited plain; this all contributed to a robust ego which would not suffer anything less than traveling to the debates in a grand style. By contrast, Honest Abe traveled in economy class, packed among the masses (although as a railroad lawyer, he certainly could have afforded better).
This short paragraph (accompanied by a photograph of both men) was written by a friend of Lincoln who recalled his train ride with the (losing) candidate as he made his way to Ottawa, Illinois, the site of the first debate.
A 1946 article in which the beloved French actress Edwige Feuillère (1907 – 1998) is personified as the epitome of wounded French Glamor returned to it’s rightful place following the hasty retreat of those nasty Huns from the boulevards of lovely Paris:
Edwige Feuillère, France’s Number One actress, is wearing evening clothes again – and all fashionable Paris rejoices. It is a sort of symbol, the blooming of the lovely Edwige into full-panoplied formality. For she, along with most women of France, abstained from festivities and the clothes that go with them throughout the war.
Royalty and rulers of the world are movie fans. The cinema tastes of the great are disclosed for the first time in this article.
Listed in the attached 1937 Hollywood fan magazine article are the names of the favorite movies of Gandhi, Stalin, Mussolini, Franco, Hirohito, Roosevelt and many more.
Click here to read about happy Hollywood’s discovery of plastic surgery…
In 1915, the year before Dada was created, one of the movement’s followers, Francis Picabia (1879 – 1953), was spotted in New York City by the editors of VANITY FAIR who quickly put him through the works.
Attached is a small column that credited U.S. Representative Charles Hiram Randall (1865 – 1951) of Los Angeles for having proposed legislation before Congress that sought copyright protection for the benefit of scenario writers in Hollywood:
Congressional Randall [Prohibition Party] of California has introduced a bill in the House of Representatives for the protection of scenario authors, by providing for the issuance of a copyright on the scenario upon reciept of two typewritten copies to the proper department in Washington.
This is a swell read, written in that patois so reminiscent of those fast talking guys in 1930s Hollywood movies. One of the many reasons I find this era so interesting has to do with the fact that the war coincided with that mass-media phenomenon called advertising – and this article pertains exactly to that coincidence. This column was printed shortly after the war in order to let the Doughboys in on the existence of a particular group within the A.E.F. that was charged with the task of dumping propaganda leaflets all over the German trench lines:
Propaganda is nothing but a fancy war name for publicity and who knows the publicity game better than the Yanks?
The Doughboys were grateful to be issued European spiral-puttees in place of their canvas gaiters -which did them no good whatever in the dampness of Northern Europe; however, as the attached W.W. I photographs so clearly indicate (as does this cartoon by Walgren), not many Yanks were as proficient at wrapping them as the upper brass had hoped.
1919 marked the third anniversary of the Battle of Verdun and the grounds were still littered with the dead, surrounded by a tons of equipment, lying in open fields pock-marked by thousands of high explosive shells:
Spring will come to France next month, but Spring will not come to the field of Verdun. Already the grass is green on the broad stretches of Champagne; in the Vosges the snow patches linger only in the stubborn shelter of rocks that bar the sun,; but there is no portent of resurrection in all the stretch of churned up gravel marking the line of forts that protect the citadel of the Meuse from the Northeast…the shell holes are filled with clear water, and between them course new born brooks, sublimating in crystal pools from which no man would dare drink.
Photographs of a small, hand-held helium balloon being loaded with German translations of President Wilson’s April (1917) war address in order that they might be released over the German trenches. This small notice makes clear that this particular method of persuasion resulted in fifty Germans surrendering.
An Arthur B. Davies (1862 – 1928) review written by VANITY FAIR art critic Frederick James Gregg following the opening of an exhibition highlighting the the private collection of N.E. Montross. The critic wrote:
Since the death of Albert Pinkham Ryder (1847 – 1917), Mr. Davies has been recognized, by persons abroad who are familiar with art in America, as the leading living painter on this side of the Atlantic.
This page contains a chart clearly stating the number of men who served in the U.S. Army during World War One, the number of men provided by each state and what percentage of the entire army originated from these states.
*Doughboys from New York numbered 367,864 and made up 9.7% of the U.S. Army.
*Doughboys from Pennsylvania numbered 297,891 and made up 7.93% percent.
*While the men of California made up 2.98% of the army, clocking in at 112,514.
etc…etc…etc…
Click here to read about the shipments of chewing gum that were sent to the American Army of W.W. I.
