Author name: editor

1946, Women Pilots

The WASPs of W.W. II

The WASP program, for as such the Women Airforces Service Pilots became known, was begun in August, 1943. In addition to providing women fliers who could take over certain jobs and thereby release their brothers for front-line duty, the program was designed to see if women could serve as military pilots and, if so, to serve as a nucleus of an organization that could be rapidly expanded…The women who took part in the pilot program proved of great value to their country, flying almost every type of airplane used by the AAF, from the Thunderbolt fighter, to the C-54 transport, they flew enough miles to reach around the world 2,500 times at the Equator.

The WASPs were fortunate enough to have pioneering aviatrix Jacqueline Cochran (1906 – 1980) serve at their helm.

Trench Warfare

Night Patrol in the Trenches

Mr. Junius B. Wood, correspondent of the CHICAGO DAILY NEWS with the A.E.F. recently spent a week in the sector held by the American Army Northwest of Toul. He lived the life of a Doughboy, slept a little and saw a lot. He spent his days in and near the front line and some of his nights in No Man’s Land. Here is the second and concluding installment of his story, depicting life at the front as it actually is…

Interviews: 1912 - 1960

Theda Bara: 1920s Sex Symbol
(Atlanta Georgian, 1917)

An enthusiastic review of the Hollywood silent film, The Tiger Womanstyle=border:none (1917) starring the first (but not the last) female sex symbolstyle=border:none of the silent era, Theda Bara (born Theodosia Burr Goodman; 1885-1955). This very brief review will give the reader a sense of how uneasily many men must have sat in their chairs when she was pictured on screen. Theda Bara retired in 1926, having worked in forty-four films.

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1940s Fashion

Down With Christian Dior and His New Look!
(Rob Wagner’s Script, 1947)

This West-coast fashion critic believed that the fashions of Christian Dior stood firmly in opposition to the optimistic, Twentieth Century casual elegance of Claire McCardell (1905 – 1958) and Adrian (1903 – 1959), preferring instead to spin

the feminine figure in the unconventional manner, trying to make her look good where she ain’t. He seeks the ballet dancer illusion – natural, rounded shoulders, too weak to support a struggling world…Her waist is pinched in an exaggerated indentation, the better to emphasize her padded hips…There are butterfly sleeves, box pockets, belled jackets, and barreled skirts, suggesting something like a Gibson girl, or whatever grandmother should have worn.

Click here to read more 1940s articles about Christian Dior and his New Look.

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W.W. I Clip Art: Doughboys

Four drawings of American Doughboys that originally appeared in a 1918 Leslie’s Weekly.The drawings were made by Cyrus Leroy Baldridge (1889 – 1977).

Click here to read some statistical data about the American Doughboys of the First World War.

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Twentieth Century Writers

W.B. Yeats Gripes About the Theater-Going Bourgeoisie
(Theatre Arts, 1919)

Poet and playwright W.B. Yeats (1865 – 1939) had his say on the matter of theater-subscriber-book-of-the-month-club types who are more likely to attend performances because they feel they should, rather than attending for their own reasons of personal enjoyment:

And the worst of it is that I could not pay my players, or the seamstresses, or the owner of the building, unless I could draw to my plays those who prefer light amusement, or who have no ear for verse and literature, and fortunately they are all very polite.

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F.R. Trippler trench coat advertisement 1918
1918, Thresher, Trench Coats

The Winter Trench Coat
(Thresher and Glenny Catalog, 1918)

Illustrated pages from the Thresher and Glenny catalog showing how a blanket lining could be added to the trench coat in order to make the garment more suitable for winter campaigns. Also included in the advertisement were three glowing testimonials written by British officers who were simply bubbling over with excitement for their Thresher and Glenny trench coats.

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The Civl War as Unifier
(The Sewanee Review, 1913)

The torrent of natural life has swept away the bitter memories of brother struggling with brother. In both North and South faces are turned from the past, and hearts are filled with pride and hope and aspiration for the future of the republic….The magnanimity which Grant displayed at Appomattox, the restraint which even political temper displayed during Reconstruction, stopping short of confiscation of property and the execution of prominent leaders…these things furnish a new chapter in the history of victor and vanquished. KEY WORDS: Civil War, Civil War Reconstruction, Malace Toward – None Charity Toward All.

The W.W. I Overseas Cap Will Remain (Stars and Stripes, 1919)
1918, The Stars and Stripes, U.S. Army Uniforms of World War One

Various Articles on the Overseas Cap
(The Stars and Stripes, 1918)

For those who think a good deal about American military uniforms in the Great War, the overseas cap was just as unique to that war as the the Brody helmet, the trench coat and the gas mask. The American Quartermaster Corps liked the hat but they were terribly confused as to what to do with it: can we put insignia on it? Yes. No. Yes. Should it be worn back home?

Click here to read a Stars & Stripes article about American W.W. I helmets.

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