An informative and well-illustrated column that makes reference to various "copy cat" crimes that were first seen on movie screens as early as 1908 and duplicated in the real world. The reader will come away with a clear understanding as to just how popular the medium was in the United States and throughout the globe. Here is an article by one of the foot soldiers of legendary silent movie producer Adolf Zukor, in which she recalled a time in 1923 when the future president of the United States, Franklin Delano Roosevelt, mailed an unsolicited photoplay (ie. script) to their offices in hopes of securing some measure of Hollywood immortality. Knowing that FDR had tremendous power in both New York and Washington, Zukor instructed her to let him down gently; twenty years later Roosevelt would chuckle about his ambitions with her at a White House party.
President Lincoln had his own dreams and aspirations...
"Ten million people a day go to the movies in the United States, but how many of them know who made the first movie? The Noes have it. The man who made the first motion-picture, as we know it today, is C. Francis Jenkins (1867 - 1934). Many [actresses] who have not been 'in pictures' a month are better known."
C. Francis Jenkins was also one of the brainiacs who contributed his talent to the invention of television. This article is about the 1935 founding of the Museum of Modern Art Film Library. Established with funding by the Rockefeller Foundation, today the MOMA Film Library is comprised of more than 14,000 films and four million motion picture stills. By the time this piece first appeared in THE CHICAGO DAILY NEWS (prior to being picked up by the fast crowd at FLAPPER MAGAZINE) Colleen Moore was all of twenty-one years of age with fourteen Hollywood films to her credit. This interview was conducted over lunch by the polished Hollywood reporter Gladys Hall, who no doubt, picked up the check; on that day Miss Moore wanted to talk about flappers.
The wise elders of Hollywood were perfectly fine about casting flappers to play in various movies, but they didn't always produce films that were sympathetic to their causes; for example, the editors of FLAPPER MAGAZINE hated this movie.
We recommend this book: The Silent Feminists Even as late as 1951, those eccentric little movie theaters that ran only thirty year-old flicks filled their seats with middle-aged women who still nursed a flame for Rudolph Valentino (1895 – 1926); their beau ideal from the mad Twenties who so many imagined to have been "the perfect lover.
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