Author name: editor

The editors for the August 3, 1929 issue of The Saturday Review of Literature removed their collective caps in deep solemnity for the disasters that began that week just fifteen years earlier when the opening shots were fired that began the First World War.

It was a fitting tribute coming from a literary magazine in 1929, for that would be the year that introduced some of the finest World War I books to the reading public: Undertones of War (Blunden), The Path of Glory (Blake) and All Quiet on the Western Front (Remarque), which are all mentioned herein.

The Saturday Review of Literature discussed a number of World War One books while in the course of reviewing Shoot And Be Damned
by Ed Halyburton and Ralph Goll, a wartime memoir which recalled time spent in a German prisoner of war camp.

This is a 1930 review of of Gurney Slade’s fictionalized account of the World War One Arab revolt, In Lawrence’s Bodyguard. The book was intended as a novel for boys and is here reviewed anonymously by one who was simply credited as, A Friend of T.E. Lawrence. Gurney Slade (pen name for Stephen Bartlett) was libeled as a man of taste and sensibility and the novel was generally well liked.

‘The Arab business was a freak in my living; in ordinary times I’m plumb normal.’ Normal, yes; but only the normally strong arise to be normal after trial and error.

You might also like to read this 1933 article about T.E. Lawrence.

Click here to read about Lawrence’s posthumous memoir and the literary coup of 1935.

The New York Times war correspondent Arthur Ruhl (1876 – 1935) reviewed a book that would later be seen as a classic piece of World War One fiction: Company K
by William March (born William Edward Campbell 1893 – 1954). Awarded both the French Croix de Guerre and the Distinguished Service Cross, March gained an understanding of war and the frailties of human character as a member of the Fifth Marines fighting at Belleau Wood and participating in the big push during the San-Mihiel Offensive:

The outstanding virtues of William March’s work are those of complete absence of sentimentality and routine romanticism, of a dramatic gift constantly heightened and sharpened by eloquence of understatement.

Saturday Review’s Emerson G. Taylor reviewed two World War I books: Baron Fritz by Dante scholar Karl Federn, which he liked, and No Hard Feelings, by Medal of Honor recipient John Lewis Barkley, which he did not:

In this week’s other narrative of soldier’s life, John Lewis Barkley, late Corporal, K Company, 4th United States Infantry, tells the world that he and his gang were exceedingly tough ‘hombres’, that, in the Second Battle of the Marne and in the Meuse Argonne operations, he killed a vast number of bloodthirsty Germans with his trusty rifle, by serving a machine-gun, or with a pistol and a knife, that he was profusely decorated, was always in the fore-front of duty and danger, and spent a furlough in Paris with Marie…Ho-hum.