Here is an honest report card concerning the first six months of the American occupation of Japan. The list of things that we did successfully at that point were considerably shorter than the list of our failings. Much is said concerning the Japanese deep state and their resistance to the new order.
Upon viewing one of the earliest sound movies this film reviewer did not find it odd in the least as to why the audiences laughed uproariously while listening to perfectly ordinary dialog during the viewing of one of Hollywood’s newest offering War Nurse (directed by Edgar Selwyn):
It was not so much [that they chortled] at these isolated bits of dialogue that the audience laughed, as it was a resort to laughter caused by the absurdity ceaseless chatter that prevails throughout the entire production.
From Amazon: Shattered Silents: How the Talkies Came to Stay
Standing before the judges who made up the 11-nation war crimes tribunal in occupied Tokyo, General Hideko Tojo, among 19 other Japanese wartime leaders, put on the show of his life:
Without hesitation, Tojo accepted full blame for plunging Japan into war. But it was, he insisted, a ‘defensive’ war, and ‘in no manner a violation of international law..’
We’re sure that Pvt. Lloyd McCarter of Takoma, Washington would have undoubtedly preferred to have been anywhere else but the island of Corregidor during the February of 1945, but there were no other legal options open to him at the time. This proved to be bad luck for some thirty Japanese soldiers who happened to have been in that same zip code.
A black and white photograph illustrating one of the many iron tree stumps used throughout the war which served as field observation posts. It was in the night, when work was done by both sides to preserve and refortify their respective trenches that objects such as these were erected.
The American press seemed a bit late in writing about the wartime innovations when they printed this piece:
Observation posts made of lumber and sheet metal to look like tree trunks are among the latest disguises employed on the battle front to deceive the enemy and enable watchers to occupy positions of advantage.
The steel tree-stump gag had been in effect since 1915.
The need for elevated artillery observation platforms is as old as the science of artillery itself. As this black and white image makes clear, the ones built during the Great War had to meet different needs: in order to evade detection from the air (as well as enemy artillery spotters) the more successful ones were built among the taller trees and draped in camouflage.
This article appears on this site by way of a special agreement with L’Illustration.
At the time, the war of 1914 – 1918 was unique in the sense that it was the first war in which more men were killed as a result of the projectiles rather than from disease; and it was artillery that did the lion’s share of the killing. This article appeared during the early months of the war when the world was shocked to learn of the astounding losses due to advancements in artillery. There is an illustration of an unidentified German howitzer (more than likely a 1911 model 210mm) and an account of the roll that German gunnery played during the siege of Liege and Fort Loncin in particular.
The one big surprise for the military experts thus far developed in the European war is the effectiveness of the heavy guns of the German field artillery. Never before have such terrible engines of annihilation been carried by an invading army as those used in the assault upon the forts at Liege.
The American writer Willis Gordon Brown recalled his days as a fighter pilot with the R.F.C. and the curious series of crashes that lead to the discovery of a German saboteur within their midst.
To the Germans this man was a highly respected hero giving his life for the fatherland; to us he became a rat of the lowest order.
Being the story of the second of the three splendid achievements of the United States Navy in the World War: the laying of the greatest submarine mine barrier in all history, which effectually prevented the Kaiser’s U-boats from leaving their secret bases for the steamer lanes of the Atlantic.
Printed five years apart were these two articles that we’ve attached herein collectively recalling three different events by three different services within the American military, each claiming to have fired the opening salvo that served notice to Kaiser Bill and the boys that the U.S. of A. was open for business:
•The first article recalls the U.S. Merchant Marine freighter MONGOLIA that sank a German U-Boat on April 19, 1917 while cruising off the coast of England.
•The second article chuckles at the Army for insisting that the First Division fired the premiere shot on October 23, 1917 in the Luneville sector of the French front;
•following up with the absolute earliest date of American aggression being April 6, 1917 – the same day that Congress declared war – when Marine Corporal Michael Chockie fired his 1903 Springfield across the bow of the German merchant raider S.M.S COMORAN on the island of Guam.
It was Lt. Commander Norman Wilkinson (1878 – 1971) of the Royal Navy who deduced that white (reflecting blue at night) was a suitable base color for naval camouflage. Wilkinson based his reasoning on the snow-capped iceberg that made such quick work of TITANIC, remembering all the while that seagulls are white, as are pelicans and the Antarctic Petrels. When the war broke out, his findings were presented to the Admiralty and it was concluded that elements of the North Atlantic fleet should be so painted. They added the black in order that the ships appear gray on the horizon.
Child movie star Shirley Temple (1928 – 2014) was by no means at her box-office peak when this article was penned (her most popular period would span the years 1936 through 1938), but the institution that she had become by 1935 had already built many second homes and an assorted number of mansions for more than a few well-placed studio executives and mogul types. When the news hit the palmy, sun-soaked boulevards of Hollywood that she had lost her first baby tooth, there was panic!
That the end now shows unmistakable signs of beginning. That first baby tooth fell to the studio floor with a crash heard ’round the world….Yet, even as as the nabobs of Fox stood about applauding and cooing, the cold hand of fear must have gripped their kindly hearts.
Click here to read a 1939 profile of Shirley Temple.
If you’ve been wondering how the Academy Awards came to be known more popularly as Oscar and you think that the answer simply has to be bathed in an endless amount of Hollywood Glamour, involving a boat-load beautifully tailored, charming and overly talented matinee idols, you’d better hit the ‘ol back browser button now.
This cartoon is yet one more piece of evidence on this site that serves to show that silent movies, although compelling and at times addictive, were still recognized by some of the brighter members of society, to be highly predictable form of entertainment.
-an additional article from the 1920s defaming silent film can be read here…
Widely seen mid-way through the year 1943 was this COLLIER’S MAGAZINE profile of singer Lena Horne (1917 – 2010) who impressed the the West-coast press corps in the same way she did the ink-stained wretches of the East:
When she was sixteen she was in the chorus at the Cotton Club in Harlem, getting that job through her mother who was then playing in-stock at the old Lafayette Theater on Lenox Avenue… Her name up to then was Helena Horne, but Barney [Josephson] ruthlessly dropped the added letters. He also taught her a great deal about using her personality in her songs.
As you will see by reading the attached article, Mussolini’s flack released no information concerning Rachele Mussolini (1890 – 1979), Il Duce’s second wife. All that they seem to know about the lass was that she had a waistline that rivaled his.
This piece reminds me of what my son’s history teacher so wisely passed on to them one day in sixth grade: History can be found anywhere. How right she was, and in this case, a seldom remembered but perhaps widely practiced method of escorting German prisoners to the rear was rendered by a cartoonist in a 1921 magazine advertisement for a firm that manufactured men’s accessories [underwear]:
Remember that big attack? You couldn’t spare a whole squad to escort your prisoners back to the cages; you needed every man in front. You got around the difficulty by cutting off the Boches’ trousers. That made them helpless. They couldn’t run and they couldn’t fight. You parked the skipper’s dog robber on their flank with a warped rifle and ran’em back.
Click here to read an article about the American POW experience during the Korean War.
