Vanity Fair Hall of Fame

Articles from Vanity Fair Hall of Fame

Augustus John by Aldous Huxley
(Vanity Fair, Undated)

The British writer Aldous Huxley (1894 – 1963) had much praise for the artist Augustus John (1878 – 1961) and his skill as a portrait painter:

With his few fellows he stands apart, reminding us in the most salutary fashion that it is the gift of God, not the correct education, that produces genuine art…

The Experiences of a Bombardier in the Young French Air Corps
(Vanity Fair, 1916)

In this letter from the artist Bernard Boutet de Monvel (1884 – 1949) the fellow explains thoroughly his thoughts and adventures as a bombardier in a Vosin bi-plane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of loneliness that an aviator can experience at 2000 feet.

For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you.

David Lloyd George
(Vanity Fair, 1916)

An article that served to introduce American readers to the new British Prime Minister, David Lloyd George (1863 – 1945), who replaced the incompetent wartime leader Herbert Henry Asquith (1852 – 1928):

People had began to doubt whether or not Mr. Asquith had ‘the will to win’ the necessary determination to make all things work together to that end. There was no doubt in the case of Lloyd George. He had supported credit, he had supplied ammunition, he had inspired general confidence, he had reconciled the irreconcilable. The question arose whether or not the box seat on the coach of state should not be given to him.


The article concentrates primarily on the radical instinct and liberal leanings of Lloyd George, who is often remembered as the Prime Minister who laid the foundations of the British nanny-state.


In 1940 Lloyd George wrote an editorial in which he condemned the leaders of Europe for procrastinating rather than dealing with Hitler when Germany was still weak Click here to read it.

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Edgar Degas: R.I.P.
(Vanity Fair, 1918)

Some interesting postmortem thoughts and seldom heard facts concerning the life and times of Impressionist painter Edgar Degas (1834 – 1917); of particular interest was the enormous amount of money fetched at auction for the assorted content of his studio during a time of national crises in France.

Elihu Root Profiled
(Vanity Fair, 1915)

A photograph of Elihu Rootstyle=border:none (1845 – 1937) accompanies these two short paragraphs from the 1915 VANITY FAIR Hall of Fame, in which Root was praised as the ablest lawyer and diplomatic expert in the nation at that time. He is remembered today as the one U.S. Secretary of War (1899 to 1904) who was most instrumental in modernizing the American military in such ways that allowed it to meet the demands that would be meted out during the course of the bloody Twentieth Century.


This small notice is interesting primarily because it lets it be known that the United States was jockying for a spot in the European peace negotiations two years prior to even having troops in the field.Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine
Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine
Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine

The Elsie Janis Cocktail
(Vanity Fair, 1917)

Anticipating the onslaught of prohibition, the actress Elsie Janis (1889 – 1956; also known as, The Sweetheart of the A.E.F) understood that, even with the absence of alcohol in the United States, boys and girls, men and women would continue their pursuit of love, marriage and divorce.

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Understanding Erik Satie
(Vanity Fair, 1918)

…But Satie’s music is not difficult to play. Almost all the notes in many of his compositions are all the same or a related value. Appogiatura, syncopation, bravura, he is not friendly with. The pieces are written in facile keys for pianists…

The Case for Leonard Wood
(Vanity Fair, 1918)

Major General Leonard Wood (1860 – 1927) served as the U.S. Army Chief of Staff between the years 1910 through 1914 and was relieved of that office by President Wilson, who was unnerved by his wariness concerning America’s inability to wage a modern war. Having alienated the president and other prominent generals in Washington, he continued on this path by launching the Preparedness Movement a year later in which he established four volunteer army training camps across the country.
Wood’s admirer’s were legion, and this article opines that his finely tuned military mind was not being put to proper use:

General Wood has committed the sin of having been right from the very start. He has always been right. He has been right when Washington has been wrong. It is upon the heads of the entire pacifist crew who sold their shriveled souls and their country’s safety to the devil of German propaganda, that is falling the blame for the blood of those who are dying on the hills of Picardy and the plains of Flanders.

Photographs of the Kaiser’s Children
(Vanity Fair, 1914)

Photographic portraits of the six sons and one daughter of the German Kaiser. The sons pose polished, varnished and bemedaled as the military fops they were trained to be: Born in a palace; in a barracks bred. The journalist points out that even Wilhelm’s one daughter served as a Colonel in an elite cavalry regiment.


Click here to read about the royal princess colonels of of the pre-war period.


~Click Here to Read About Women in World War One~

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London Society, 1915
(Vanity Fair, 1915)

Five months into the general unpleasantness going on across the Channel had transformed London into a very different city, and sadly, it was the leisured classes that had to shoulder most of the burden:

London is well worth living in these troubled days if only for its contrasts…The gloom of the streets, the sinister play of the searchlights, the abnormal hour at which the theatres open and and the public houses close, the fact that half the male population is in khaki and the other half would like to be, that Society is wearing Noah’s Ark clothes and that to buy a new hat is a crime, that there are no dances, no dinners, no suppers, no premieres, no shooting, no no posing, no frivolity, nor idling, it’s rather quickening, you know. But the searchlights have absolutely killed all practical romance.

Paul Thevenaz: Rhythmatist Painter
(Vanity Fair, 1916)

A one page article regarding Swiss-born painter Paul Thevenazstyle=border:none (1891 – 1921) and his thoughts on the relationship between dance and modern painting. The article is accompanied by four of his portraits; the sitters were Jean Cocteau, Igor Stravinsky, the Comtesse E. De Beaumont and Comtesse Mathieu De Noailles.The profile was written by the novelist Marie Louise Van Saanen.

Read a 1937 article about another gay artist: Paul Cadmus.

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A Covered Golf Caddy Bag
(Vanity Fair, 1915)

A few words, accompanied by a photograph, concerning the ‘traveler’s covered caddy bag‘ — another attempt at thwarting the efforts of ‘the golf thief’ as well as just plain lousy whether.

The Well-Born Officer
(Vanity Fair, 1918)

For it’s October issue, the editors of VANITY FAIR magazine stepped up to the plate and did their bit with this splendid review of all the finest uniform apparel that New York City offered it’s silk stocking officers. The article is nicely illustrated with photographs of a double-breasted mackinaw coat, two officer blouses (one of a wool-silk blend), a classic silk knit service tie as well as a very fine trench boot.


New From Amazon: Doughboys on the Great War:
How American Soldiers Viewed Their Military Experience
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Four Photgraphs of the Extended Royal Family
(Vanity Fair, 1915)

Assorted photographs of the assembled German, Spanish, Belgian, Russian, Norwegian and British royal families, posed as they gathered to attend the the 1894 and 1896 Royal weddings at Coburg; also pictured is the group photo snapped at the 1898 shooting party at Sandingham. Queen Victoria appears in two of the pictures, while Kaiser Wilhelm II can be seen in all of them.

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William Orpen and the Portrait of Mrs. Oscar Lewisohn
(Vanity Fair, 1915)

Here is a petite notice that appeared in a 1915 issue of VANITY FAIR heralding a new portrait by the British painter William Orpen (1878 – 1931), which depicted the likeness of a popular American stage actress Mrs. Oscar Lewisohn (Edna May Pettie 1878 – 1948). The anonymous reviewer compared the portrait styles of Orpen with that of London’s reigning portrait painter, John Singer Sargent:

Sargent had a way of showing his sitters as they didn’t think they looked. On the other hand, Orpen has a trick of making his sitters look like what they would like to be.

Robert Henri
(Vanity Fair, 1916)

A VANITY FAIR MAGAZINE profile of the American painter Robert Henri (1865 – 1929):

Robert Henri does not sympathize with the artists who throw their work in the face of the public with a ‘There, take it or leave it.’ Indeed, he has an almost hieratic belief in the power of the fine arts, not merely to delight, but to improve, to uplift and to educate the masses.

Click here to read further about the 1913 Armory show.

W.W. I and the Royal Families of Europe
(Vanity Fair, 1915)

In five short paragraphs, this writer (Ard Choille), nicely sums up the chumminess that made up the royal families of old Europe and the vital role Queen Victoria played in the creation and maintenance of that bond:

Until the outbreak of the war the royal families of the various nations made up a wonderful club, the like of which had never been known before. Judging from the society papers, most of Europe existed for their convenience, and even the variety of military uniforms was kept up in order that royalty, while at home or abroad, might have the opportunity to change its clothes as often as possible

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