Articles from 1922
This new form of illusion cannot be called an art. Without the magic of the human voice, without the reality of the human form, lacking in color sound and poetry the film is purely an ocular illusion, an effect of light.
Another anti-silent film article can be read here…
Click here to read a 1939 article about an alumni organization for the pioneers of silent films.
Not pacifists, but soldiers, have signed what several editors term one of the most striking and remarkable appeals for peace that have come to their tables.
Veterans of the 1914-1918 slaughter called for their respective governments to oppose territorial aggrandizement and demanded that an international court be established to outlaw war; following the establishment of said court, the immediate effort to disarm and disband sea and air forces and destroy the implements of warfare should begin. The American Legion Commander-in-Chief, Alvin Owsley (1888 – 1967), was among the signators.
Click here to read an article about the German veterans of W.W. I.
A couple of years after the membership lists of the Ku Klux Klan had swelled to record levels, and just seven years after a chic Hollywood film director made a movie that ennobled their crimes,the Administrative Committee of the Federal Council of Churches of Christ in America issued a statement which served to distance the Protestant churches from that hate-filled organization.
From Amazon: Gospel According to the Klan: The KKK’s Appeal to Protestant America, 1915-1930
An in-depth interview with the great silent film comedian Harold Lloyd (1893 – 1971) accompanied by a seldom seen picture of the man WITHOUT his glasses (he didn’t really need them).
One blogger read the attached article and wrote the following:
I’ve never read this before – it’s great. It’s always good to hear Harold’s own thoughts on his films; I enjoyed his description of the stunt he did in on top of the locomotive at the mouth of an approaching tunnel in the film Now or Never. It’s a spectacularly funny gag, but we sometimes forget the effort that went into these scenes; Harold was one comedy star who was prepared to suffer for his art!
Prior to the creation of cosmetic surgery, with odd procedures like tummy tucks and butt lifts, there was Helena Rubenstein (1871 – 1965), who had a long and stunning career in the cosmetic business and who is remembered for once having said:
There are no ugly women, only lazy ones.
In this interesting 1922 interview, the matron saint of cosmetics made some very bright remarks on the issue of beauty, glamor and vanity.
When the Five O’Clock Whistle Blows in Hollywood is attached;
it appeared in VANITY FAIR eight years after Hollywood was declared the film capital of the world.
This single page cartoon was created by one of the great American caricaturists of the Twenties: Ralph Barton, and all the kingpins of the young empire are depicted (among others): Douglas Fairbanks, Marry Pickford, Buster Keaton, Harold Lloyd, Bebe Daniels, Bill Hart, Wallace Reed, Gloria Swanson, Nazimova, Charlie Chaplin, Jackie Coogan, Fatty Arbuckle and the writer Rupert Hughes.
Lording above them all, and represented simply by jodhpurs and riding boots, stands the founder of the feast – Cecil B. DeMille (and his brother).
The Napoleon who plays the Monday-morning-quarterback in these columns was created by the tireless researcher Walter Noble Burns (1872 – 1932); his version of Bonaparte explains what went wrong on the Western Front and how he would have beat the Kaiser – but not before he dishes out liberal amounts of defamation for the senior commands on both sides of No Man’s Land.
The war’s stupendous blunders and stupendous, useless tragedies made me turn over in my sarcophagus beneath the dome of the Invalides. I can not conceive how military men of even mediocre intelligence could have permitted the Allied Army to waste its time by idly lobbing over shells during a three-years’ insanity of deadlocked trench warfare.
Click here to read an article about life in a W.W. I German listening post…
The World War I American uniform data attached herein answers the question as to how often Doughboy uniforms would wear out and need replacing. This information was all transcribed by U.S. Army Quartermaster Corps and published in a book titled THE OFFICIAL RECORD OF THE UNITED STATES IN THE WORLD WAR (1922).
The zeal of the Ku Klux Klan to ‘support the Church’ has been displayed by many signs, and intimations multiply, we are told, that certain Protestant ministers are in its confidence and would seem on occasion to be directing it’s activities. But to some ministers the Klan’s mark of approval appears to be embarrassing, a favor which they would much prefer to do without. Scarcely a Sunday passes without the publication of the news that a Klan has visited a church in a body, simply to signify approval, or to remain decorously through the service.
The Ku Klux Klan victories in Texas and Oregon, where the influence of the hooded organization is said to have elected a United States Senator in one instance and a Governor in the other, indicates to The Nation that
the Ku Klux Klan has now passed out of the amusing stage and has entered the domain of practical politics to challenge our existing parties.
An article by one of the KKK‘s most outspoken enemies in the press, Stanley Frost (author of Challenge of the Klan), who reported on the political dust-up that took place in the Oklahoma state government when the Klan made serious attempts to be a dominate factor in Oklahoma politics.
THE OUTLOOK sent Stanley Frost to Oklahoma to study the amazing political conflict which has taken place in the state. The forces at odds in the state may have a far-reaching influence upon national politics.
In her 1922 essay, Marriage, Jane Burr (né Rosalind Mae Guggenheim, 1882 – 1958) refers to the modern marriage as progressive monogamy. She writes knowingly about the blessings and damnation of matrimony and believed that the institution has only improved since we entered an age where unions between man and woman can be so easily dissolved.
Over the civilized globe there hangs this tragedy of women and this tragedy of men – those who are free longing for bondage, those who are in bondage longing for freedom, everybody searching for the pure white flame, yet everybody compromising with sordidness that could be avoided, if only a new attitude could be legitimized.
This article appeared at a time when Eastern European immigration levels had been drastically curtailed, Klan membership was at it’s peak, antisemitism in college admissions had been exposed, and the memory Leo Frank’s murder was in it’s seventh year. The article is about the chasm between the two groups and building the necessary bridges; Dr. Stephen S. Wise (1874 – 1949), columnist Walter Lippmann (1889 – 1974) and a cadre of others address the topic with the needed perspective. Dr. Wise remarked:
Whatever Christians may have taught…their duty in the present is clear as are the heavens in the noon hour; the duty of affirming that incalculable and eternal is the debt of Christians to Israel, of whose gifts Jesus is treasured as the chiefest.
We have all seen it many times before: the well-loved, widely accepted comedian who decides that being adored by the masses is simply not enough. For too many comic talents, sadly, there comes a time when they slip on one banana peel too many and it occurs to them that they want the world to appreciate them for their ability to think. Comics who fill this description might be Al Frankin, Woody Allen or Steve Martin.
This article tries to understand why Chaplin wanted to play a tragic part in a 1921 London stage adaptation of William Thackeray’s ‘Vanity Fair’.
We have seen such behavior in comics many times before, they hadn’t.
Two LITERARY DIGEST articles, printed seven days a part, addressing the topic of the destruction of the U.S. military’s semi-rigid airship, ROMA; much attention is paid as to where the blame for the disaster must be placed. The journalists concur that the U.S. Congress was answerable for the loss due to that body’s unwillingness to pay for the necessary helium, rather than the less expensive, and highly flamable, hydrogen gas. Thirty-four lives were lost.
When Fifth Avenue’s Montross Gallery launched an exhibit featuring over one hundred creations by the American painter John Marin (1870 – 1953) in the winter of 1922, art voyager and all-around well-respected critic Paul Rosenfeld (1890 – 1946) was present, and very shortly put pen to paper in order to heap many bon-mots upon the man and his work:
He applies his wash with the directness of impulse that is supposed to be discoverable only in the work of small children. One racks one’s brain for memory of a water-color painter who reveals in every stroke of his brush a more uninhibited urge outward.
The attached article is yet another among the several tongue and cheek essays that the French composer Eric Satie (Alfred Éric Leslie Satie 1866 – 1925) contributed for the amusement of the fun-loving readers of VANITY FAIR MAGAZINE. Published just three years prior to his death, it is beautifully illustrated, and stands as one solid page of pure silliness in which Satie considered the place of art in the animal kingdom, and concludes that of all the arts, architecture and music are the only two creative endeavors that the creatures of the field ever seem able to embrace:
I know of no literary work written by an animal – and that is very sad.
An appreciative essay celebrating the work of Guillaume Apollinaire (born Wilhelm Apollinaris de Kostrowitzky: 1880 – 1918) by the high-brow art critic Paul Rosenfed (1890 – 1946).
For Apollinaire possessed the perfect adjustibility of the born poet. He would have found himself much at home in any environment into which he would have been born, whether it would have been one of pampas and herds and lonely hamlets, or one of concrete, newspapers, war and steel.
